![]() ![]() It was found in Rímac, a district separated by a river of the same name from the oldest part of Lima. He said old fly eggs were found next to the male skeleton, leading them to believe the body was exposed for at least several days before being covered with dirt. The mummy has not yet been subjected to radiocarbon dating to determine its age, Aguilar said. The burial was on top of a destroyed U-shaped clay temple, a characteristic of some pre-Hispanic buildings. Miguel Aguilar, a professor of archaeology at Universidad Nacional Mayor de San Marcos, said the mummy was buried in a ritual that included coca leaves and seashells. Stones surrounded the mummy buried one meter (three feet) down. LIMA, Peru: Archaeologists have found a pre-Hispanic mummy surrounded by coca leaves on top of a hill in Peru’s capital next to the practice field of a professional soccer club.Ī team from The Associated Press on Thursday viewed the skeleton with long black hair lying face up with its lower extremities tied with a rope braided from vines of vegetable origin. “As long as people keep their distance and give them their space, it will be fine.” “Bears often do not want to engage with people,” Schindler said. The bear would mostly likely not have been aggressive unless it was startled by humans or challenged by an particularly brave dog. “At this age, it’s natural for them to explore other areas,” said Schindler, who estimated the animal was a little more than a year old, “especially as wildlife continues to be pushed out of their natural areas by human construction.” But the last bear-related mobilization like this in D.C. Wildlife authorities had actually been tracking this particular bear for several weeks, spotting him most recently around nearby Hyattsville, Maryland. The young male will now receive a medical check and be released back into the wild, “somewhere in Maryland,” said Chris Schindler, vice president of field services for the Humane Rescue Alliance. Humane Rescue Alliance staffers were able to tranquilize the approximately 200- pound animal and load it into a huge metal crate. Undeterred by the noise, the bear came down around 10 a.m. When the young male bear climbed a tree, police used their sirens to discourage him from climbing down until capture crews were ready. It prompted formation of a sort of ursine emergency task force including the Metropolitan Police Department, the local Humane Rescue Alliance, the Maryland Department of Natural Resources and the National Zoo.Īuthorities formed a perimeter near the 1300 block of Franklin Street NE to keep curious onlookers away. The bear was discovered roaming the Brookland neighborhood, less than 5 miles from the Capitol and White House. ![]() It also spurred a healthy online debate as to whether to name it Franklin, for the street where he was captured, or Smokey - for both the iconic cartoon bear and as a testament to this particularly smoky week in Washington weather. Pictures of the bear and its capture touched off a frenzy on social media. It’s a voice you recognise, for sure, but it’s used in a different, sincere, and equally creative manner as his acting work.Ī succinct, focussed return, ‘Phantom Birds’ makes a neat soundtrack to the final days of the English summer.WASHINGTON: A young black bear gave residents of a quiet northeast Washington neighborhood a start Friday morning when they woke to find a furry interloper wandering backyards and sniffing around garbage cans. Matt Berry, too, is on wonderful form, whether that’s the genial performance on ‘That Yellow Bird’ or the rather more revealing, open take on male mental health that underpins ‘Something In My Eye’. BJ Cole seems to conjure entire string sections with his pedal steel, while Craig Blundell swaps the prog pyrotechnics of his day-job with Steven Wilson for something calmer, but no less assured. The sound is warm and refreshing, the playing simple but effective. ‘Take A Bow’ is an affecting ode to life’s simple pleasures, while ‘Phantom Birds’ and ‘Moonlight Flit’ seem to reference Matt Berry’s countryside domesticity, having recently relocated from London. Augmented only by legendary pedal steel player BJ Cole – who played on those wonderful early 70s Elton John recordings – and dexterous drummer Craig Blundell, it’s a series of neat, pastoral meditations.
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